SEARCH RESULTS FOR: Beautiful South
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(Vocal group, 1989–present) Paul Heaton formed The Beautiful South with drummer Dave Hemingway after the demise of The Housemartins as a vehicle for finely crafted, ironic and honest pop songs (co-written with guitarist Dave Rotheray). Welcome To The Beautiful South (1989) spawned three hits that set the tone for the entire 1990s. Singing alone or in duet with Briana ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

The South Asian region is centred on India and includes the neighbouring modern nations of Afghanistan, Pakistan, Bangladesh, Nepal, Bhutan and Sri Lanka. The region now called Pakistan saw the rise and fall of the Indus Valley civilization, one of the oldest in the world. Scarce archeological objects showing drums and an arched harp give a ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

The vast Southeast Asian region includes the island republics of Indonesia and the Philippines, and the mainland states of Burma, Thailand, Cambodia, Laos, Vietnam, Malaysia and Singapore. The mainland countries, particularly Vietnam, have been greatly influenced by Chinese culture and Buddhism. Indonesia has been influenced by Hinduism and Islam, and the Philippines ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

Southern-rock guitarist Duane Allman was born in Nashville, Tennessee in 1946. Allman was inspired to take up the guitar by his brother Gregg. At first, they played country music, their initiation into the blues coming when the brothers saw B.B. King performing in Nashville. The pair began playing professionally in 1961, first in The Allman Joys ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

Taking its lead from the loud blues rock of late-1960s bands such as Cream and The Grateful Dead, southern rock materialized with the release of The Allman Brothers Band’s eponymous 1969 debut album, which embellished a fusion of rock’n’roll, blues, country and jazz with a distinct good ol’ boy edge from directly below the Mason-Dixon Line. Natives ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

Southeast Asian music owes much to its neighbours. Travellers, moving south from China, mixed with traders from India and Arabia. Later arrivals added to the mix; the Philippines are Spanish-American, Vietnam is French-Chinese, and Malaysia is Arabic-Chinese-Indian-Portuguese-British. Add the latest economic invasion and it’s a wonder that any unadulterated music survives. But it does. In Indonesia, Javanese ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

Latin America is particularly rich and varied in its musical traditions, with each country boasting a broad and very distinct collection of genres whose development has been shaped by indigenous rhythms, migration patterns from Europe and the influx of slavery. At the uppermost tip of Latin America is Mexico, a country whose musical sub-genres are too many to ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

(Vocal group, 1992–present) Nick Carter, Howie Dorough, AJ McLean, Brian Littrell and Kevin Richardson (left 2006). An American boy band, their first taste of success came in Europe in 1996 with soft-focus ballads like ‘Get Down (You’re The One For Me)’. They conquered the US in 1998, and albums like Millennium (1999) – the obligatory ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

(Vocal/instrumental group, 1983–88) Formed in Hull by Paul Heaton (vocals), Stan Cullimore (guitar, vocals), Ted Key (bass) and Hugh Whitaker (drums), the band were the epitome of unassuming British indie pop. Their up-tempo, melodic songs belied some abrasive, politically charged lyrics on the likes of ‘Sheep’ and their first big hit ‘Happy Hour’, from 1986’s all-conquering debut ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

Contemporary music whose ancestry lies in the Western classical tradition finds itself in a curious position. Nothing illustrates this better than the fact that we are not entirely sure what to call it. The label ‘classical’ seems anachronistic, especially when applied to composers who have challenged some of the fundamental assumptions of the classical tradition. ‘Concert music’ is similarly problematic ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

The first half of the nineteenth century was essentially a period of insurgence in Europe, from the French Revolution in 1789 to the series of uprisings that rocked the continent around 1848. Meanwhile, the Industrial Revolution was also underway, beginning in Britain, then spreading south through the rest of Europe. With these two strands of revolution came ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

The early nineteenth century was a period of insurgence in Europe, beginning with the French Revolution in 1789 to the uprisings in 1848. The Industrial Revolution, which began in Britain before spreading south to the rest of Europe, was also making its mark. These two strands of revolution caused transformations in society: growing awareness of national identity, ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

The late Baroque era (1700–50) was a time of major political change throughout Europe, involving a shift in the balance of power between sovereign states. Across the continent it was a period of almost continuous warfare, the effects of which were later felt in other parts of the world as a result of conflicting ambitions among the various trading ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

By the beginning of the eighteenth century, opera was established in some form in most major European centres. The basic types of serious and comic opera in both Italian and French traditions shared similarities, although the content and style of an operatic entertainment could vary according to whether it was intended to flatter a private patron, resound with ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

The early nineteenth century was a period of insurgence in Europe, from the French Revolution in 1789 to the uprisings of around 1848. The Industrial Revolution, which began in Britain before spreading south to the rest of Europe, was also making its mark. These two strands of revolution transformed society, with a growing awareness of national identity ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie
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An extensive music information resource, bringing together the talents and expertise of a wide range of editors and musicologists, including Stanley Sadie, Charles Wilson, Paul Du Noyer, Tony Byworth, Bob Allen, Howard Mandel, Cliff Douse, William Schafer, John Wilson...

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Classical, Rock, Blues, Jazz, Country and more. Flame Tree has been making encyclopaedias and guides about music for over 20 years. Now Flame Tree Pro brings together a huge canon of carefully curated information on genres, styles, artists and instruments. It's a perfect tool for study, and entertaining too, a great companion to our music books.

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